史蒂芬·卡瓦利耶（Stephen Cavalier） 在动画业和游戏业有着近二十年的工作经验。他自编自导过多部获奖短片，参与过史蒂芬·斯皮尔伯格的动画制作团队，同时他还是迪士尼公司和BBC的动画导演。卡瓦利耶居住在英国布莱顿，在自己经营的公司中担任动画师、编剧和导演。

史蒂芬·卡瓦利耶（Stephen Cavalier） 在动画业和游戏业有着近二十年的工作经验。他自编自导过多部获奖短片，参与过史蒂芬·斯皮尔伯格的动画制作团队，同时他还是迪士尼公司和BBC的动画导演。卡瓦利耶居住在英国布莱顿，在自己经营的公司中担任动画师、编剧和导演。

史蒂芬·卡瓦利耶（Stephen Cavalier） 在动画业和游戏业有着近二十年的工作经验。他自编自导过多部获奖短片，参与过史蒂芬·斯皮尔伯格的动画制作团队，同时他还是迪士尼公司和BBC的动画导演。卡瓦利耶居住在英国布莱顿，在自己经营的公司中担任动画师、编剧和导演。

弗兰克·托马斯 奥利·约翰斯顿 这两位著名的迪斯尼艺术家都是《原动画基础教程》作者理查德·威廉姆斯的动画制作老师，两人在斯坦福大学求学时相识，随后分别于20世纪30年代加入迪斯尼工作室。他们不仅曾与沃尔特·迪斯尼本人共事，而且还在迪斯尼动画片长达半个世纪的历史中与多位一流大师合作。他们亲身参与了迪斯尼绝大多数经典动画作品中各种人物的动画制作，并且几十年来与其他艺术家紧密合作，使这种动画艺术形式日臻完美，其中每部动画长片都需要大约250万张图稿。 1978年，两人从沃尔特·迪斯尼制片公司退休并开始撰写本书。同年，两人获得DKA国家荣誉电影兄弟会南加利福尼亚大学分会颁发的“电影先驱”奖，并随后在华盛顿特区的肯尼迪中心获得美国电影学会颁发的其他荣誉奖项。

This is the one sourcebook that cartooning and animation enthusiasts have been clamoring about for years A time-tested classic, this tried-and-true reference is often used as a textbook in cartooning workshops, and beginning and professional cartoonists alike are known to have copies of "Cartoon Animation" in their libraries. In this comprehensive title, famed animator Preston...(展开全部)

Written by two internationally acclaimed animators, this classic text teaches all you need to know about the art of timing and its importance in the animated film. Learn all the tips and tricks of the trade from the professionals. How should the drawings be arranged in relation to each other? How many are needed? How much space should be left between one group of drawings and t...(展开全部)

Presents a foundational theory of animation and what it reveals about our relationship to technology Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual...(展开全部)

Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, an...(展开全部)